::: Review taken from
Metalspheres Fanzine,
Germany, March 2005 :::
Style: Alternative Rock
Thanks Jonas for your help with
the English translation!
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Before I put this album into my cd-player
for the first time, it seemed relatively nice to
me: a well made, atmospheric cover, and a
flyer with information from the record company, which doesn't
try only to sell the band, describing it as the
best band of the world (this is anyhow already
called
Die Ärzte (a German
band who calls themselves 'best band of the world',
but more for fun than seriously; hey-hey! I know and love very
much this
band! Mery's note).
In the information, the label tries
much more to describe the concept of the Italian band: as
godfather of their monicker, they chose Gustav
Klimt, the forerunner of the so-called 'Wiener
Sezession', and the
year of his death. "Dopoguerra",
the title of the cd, refers to the situation of
the Italian people after 1945. In addition, the
label writes that Klimt 1918
sound - among other things – a kind of music which has no
boundaries. I can agree completely with
this – no mountains, no valleys, just wide open musical landscapes. To some others this may give something,
but I totally miss the highs and the lows in this music. Just like in the
scene of Power Metal, there is a lot from
the Alternative music sphere,
which is made in a respectable way, but which sounds very similar and
to which you can easily renounce. You
can also see this in the music of Klimt 1918
which has, on one hand,
a respectable sound and respectable musical capabilities, but that
can perhaps only set off from other alternative bands,
because it sounds even more boring than many others. Because even after
the third or fourth listening there is hardly one melody that
you can remember after listening to the cd. This
could have its reason why in the fact
that the music seems to adapt itself to the surrounding, just like a
chameleon, so that - if you're not concentrated
in listening to the music
- after some time you don't
notice anymore that the music is still there. |
(Jonas)