::: Review taken from Transit Mag., Swiss :::
Thanx Céline (not Dion, of
course!)
for your help with the translation from French to English!
-----oooOooo-----
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It's cool
diving again in the 80's, nevertheless sounding in a modern way, in
order not to be too strongly apart and allowing to be accepted even
nowadays! Mixing Tears For Fears, Depeche Mode and Katatonia, Klimt 1918
result nostalgic because of their new wave sonorities, making impression
on us thanks to to their breaks out of time, to their charming singing (especially
when this last one is in Italian, particularly in "We don't need no
music") and invite to a certain thoughtlessness feeling song after song.
And all this happens very gently, songs lay bare to softly caress me
with their music, leading me towards this 'Undressed Momento', logic
result of the story. Sweet, sensual and gentle, the melody innocently
interferes in the intimity with some emotion... (and here it's hard
to translate from the original French review, but Céline compares
listening to this album with making love-Mery's note).
So fragile
of course, but so perfect that I already impatiently wait for their next
frolics.
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(Oxana)